Allemande

I can't find my Bach music, so I can't check to see how my edition spells Allemande.  I can, however, play the movement I'm working on, because it's committed to my memory.

I've been imagining how the movement would sound on an organ.  There are many rising arpeggios where I can imagine the notes building onto each other and the volume rising the way they would if an organist held each note down instead of releasing it to play the next note, the way you have to on a violin.

I'm also trying to listen for the way the ringing of one note mixes with the sound of the next.  For example, if I play a note on one string, then play a note on another string, the first string continues to vibrate from that first note while I play the second.  What does that sound like?  The vibrations aren't as loud as those of an organ, but they exist.  Whether I leave my fingers in place on the first string or take them off probably makes some minuscule difference. 

The beginning of the Allemande is similar to the beginning of Ciaccona, the D-minor partita's epic movement.  I wonder if Bach wrote the Allemanda first, or started with the Ciaccona.  The Ciaccona is so important.  It could be based on all of the previous movements, but because it's so fantastic, I suspect that Bach had it in mind from the beginning.  Bach probably planned the Ciaccona before he started writing the Allemande, the way J.K. Rowling planned the end of the Harry Potter series before she finished the first Harry Potter book.



I like this recording, after the Star Wars introduction. This sounds like not just any violin. Maybe a Baroque violin.